Part One of this article (71.2) established that Shakespeare performance historians have shamefully neglected audio productions. Attention was eventually paid […]
Shakespeare scholars ignored audio performances for decades, even though audio productions far outnumber screen adaptations.[1] Audio was mostly relegated to […]
“Part One” (69.2) showed that the American Shakespeare Center and the Flatwater Shakespeare Company streamed subprofessional video captures during the […]
Shakespeare’s now famous descriptions of jealousy are apparently unique. The Oxford English Dictionary records the first appearance of “green-eyed jealousy” […]
Indian director Vishal Bhardwaj’s Bollywood adaptations of Shakespeare’s Macbeth, Othello, and Hamlet—Maqbool (2003), Omkara (2006), and Haider (2014) respectively—use Shakespeare’s […]
Since Covid-19 put its “girdle round the earth” (Midsummer Night’s Dream, 2.1), Shakespearean theatrical companies and practitioners have struggled to […]
