Winter & Spring 2024 73 Double Issue (1-2) HighlightsSide View of MacbethPericles, RSC 2024Yosemite’s Dream & Shakesqueer’s Macbeth in California
Spring/Summer 2023 72.2 HighlightsHow Will Became Master Shakespeare: Clues from an Unpublished Letter Signed by William Cecil, Lord Burghley“Look with thine ears”: The Challenges and Rewards of Audio Shakespeare, Part TwoA Partial Season at the Colorado Shakespeare Festival
Winter 2022/2023 72.1 HighlightsThe Almeida’s Romeo and Juliet: A Review“So Musical a Discord”: Utah Shakespeare Festival 2023All’s Well That Ends Well and Hamlet at The Stratford Festival, 2022
Spring/Summer 2022 71.2 HighlightsDomestic Tragicomedy: Arden of Faversham at Red Bull Theater“Look with thine ears”: The Challenges and Rewards of Audio Shakespeare, Part OneA Review of Kimberly Anne Coles’s Bad Humor: Race and Religious Essentialism in Early Modern England
Fall & Winter 2021/2022 71.1 HighlightsRobert Icke’s HamletReview of RSC’s Richard IIIShakespeare at the Oregon Shakespeare Festival 2022
Spring/Summer 2021 70.2 HighlightsReview of Holly Crocker’s The Matter of Virtue: Women’s Ethical Action from Chaucer to ShakespeareReview of Ann C. Christensen’s A Warning for Faire Women: Adultery and Murder in Shakespeare’s Theater.Talking Books Update (70.2)
Fall & Winter 2020/21 70.1 HighlightsDavid Lindley Obituary: The “Talking Books” Interview We Could Not Do“Sunshine and rain at once”: New York Classical Theatre presents King LearReview of Sara Munson Deats’ The Faust Legend: From Marlowe and Goethe to Contemporary Drama and Film
Spring/Summer 2020 69.2 HighlightsHere and ThereShakespeare on Screen: Coronavirus Edition, Part One“’Spirits from the Vasty Deep’ and Beyond: Shakespeare in the Age of Zoom
Fall & Winter 2019/2020 69.1 HighlightsA Zombie Titus Andronicus: Blanche McIntyre’s 2017 RSC Production and Performance HistoryTimon of Athens at the Theater for a New Audience“No Women’s Matters”? Oregon Shakespeare Festival 2020
Spring/Summer 2019 68.2 HighlightsThe Education of A Prince: History on Stage at the Globe TheatreQueen or “any flax-wench”?: Household Metaphor and Female Duality in The Winter’s TaleKenneth Branagh’s All Is True
